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Fortunately, any Premiere user can synchronize settings to Creative Cloud , making it possible to edit from different computers and locations. You can easily adjust white balance, contrast, exposure, shadows, highlights, and black point. Each one of these can be conveniently activated with keyframes. The color wheel and curve options are also impressive. Whenever you drop a clip in the timeline, the tool automatically creates new tracks.

It also lets you specify types, such as standard, stereo, adaptive, 5. Adobe Premiere Pro offers a range of text options for captions and titles. For titles, the program supports a huge selection of fonts, including the standard Adobe Typekit fonts. You can also choose kerning, leading, crawling, rolling, texture, opacity, rotation, and other options. Just like Photoshop , you can apply shadows and strokes to the fonts. It gives you all the tools and features required to create stunning visuals.

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Just download, install, and start working on high-end video editing projects. This program is compatible with Windows Your app is very good and great Laws concerning the use of this software vary from country to country. We do not encourage or condone the use of this program if it is in violation of these laws. Softonic may receive a referral fee if you click or buy any of the products featured here. In Softonic we scan all the files hosted on our platform to assess and avoid any potential harm for your device.

Our team performs checks each time a new file is uploaded and periodically reviews files to confirm or update their status. This comprehensive process allows us to set a status for any downloadable file as follows:. The Cineon Converter effect provides a high degree of control over color conversions of Cineon frames. To use the Cineon Converter effect, import a Cineon file and add the clip to a sequence. You can then apply the Cineon Converter effect to the clip and precisely adjust the colors while interactively viewing the results in the Program monitor.

Set keyframes to adjust for changes in tone over time—use keyframe interpolation and ease handles to precisely match the most irregular lighting changes, or leave the file in its default state and use the converter.

The 10 bits of data available in each Cineon channel for each pixel make it easier to enhance an important range of tones while preserving overall tonal balance. By carefully specifying the range, you can create a version of the image that faithfully resembles the original. Apply the effect to a single clip or an Adjustment Layer over your whole timeline.

When applied to an Adjustment Layer, you can set the Source Track the effect will read. Or, leave it set to Top Clip, and the effect will use whichever clip is on the highest track. If you often need to display more than one type of metadata, you can apply another instance of the effect and then create an Effects Preset containing all your instances of the effect in one easy to re-use preset.

SDR conform is also available in the Effects tab of the Export settings. Additive Dissolve adds the color information from clip B to clip A, and then subtracts the color information of clip A from clip B. Cross dissolve can also work well at the beginning or end of a clip when you want to fade in or out from black. The cross dissolve transition may work better for this. Dither Dissolve fades clip A to clip B using a dithering algorithm. You can specify any of the following options:. The Film Dissolve transition blends in a more realistic way; basically, dissolves look the way that they should.

Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Video effects list. Navigate through the different effects documented on this page using these filters. Adjust effects. Lighting Effects. Blur and Sharpen effects. Camera Blur effect Windows only. Directional Blur effect.

The Directional Blur effect gives a clip the illusion of motion. Gaussian Blur effect. Reduce Interlace Flicker. Original left , and with effect applied right.

Channel effects. Invert video effect. The Invert video effect inverts the color information of an image. Color Correction effects. Distort effects. Corner Pin effect.

Lens Distortion effect. The Lens Distortion effect simulates a distorted lens through which the clip is viewed. Magnify effect. Mirror effect. The Mirror effect splits the image along a line and reflects one side onto the other. Spherize effect. The Spherize effect distorts a layer by wrapping a region of the image onto a sphere. Transform effect. Turbulent Displace effect. Twirl effect. Wave Warp effect. Offset effect. Generate effects.

Lens Flare effect. Lightning effect. Ramp effect. Image Control effects. Color Pass effect. Color Replace effect. Gamma Correction effect. Keying effects. Alpha Adjust effect. Color Key effect. Luma Key effect. Track Matte Key effect. Chromakey with the Ultra Key effect. Apply Ultra Key to a clip or clips. In the Timeline, place the current-time indicator over a frame containing a key color. In the Effect Controls panel, select the desired options from the Output and Setting menus.

Do one of the following:. Click the Color Picker box to open the Color Picker. Then select a key color and click OK.

Click the Eye Dropper, and select a key color. Set the other parameters as desired. Ultra Key effect parameters.

Matte Generation. Matte Cleanup. Mid Point. Spill Suppression. Color Correction. Controls the hue. Difference Matte effect. Replace a static background with Difference Matte. The following Difference Matte settings are adjusted in the Effect Controls panel:.

Specifies the track to be used as the matte. Specifies whether to center the foreground image or stretch it to fit. Specifies the degree to which the matte must match the foreground in order to be keyed.

Specifies the degree of softness at the edges of the matte. Specifies the degree of blur added to the matte. Find a frame of your foreground clip that consists only of the static background. You will use this frame as a matte. Save this frame as an image file. It will appear in the Project panel. Drag the matte frame from the Project panel to a video track in a Timeline panel.

Drag the clip you want to use as the background to a track in a Timeline panel above the matte frame. Place the video clip you wish to use in the foreground on a track in a Timeline panel above the background clip. Click the Toggle Animation icons for the settings you adjust. In the Effects panel, expand the Video Effects bin and then the Keying bin.

Drag the Difference Matte effect onto the foreground video clip. In the Effect Controls panel, click the triangle next to Difference Matte to expose its controls.

From the Difference Layer drop-down menu, select the track that contains the matte frame. Adjust the other settings as needed to achieve the desired effect.

Image Matte Key effect. Define transparent areas with Image Matte Key. Add the clip used as a background to a video track in a Timeline panel. Add the clip you want to superimpose to any track higher than the track containing the background clip. This is the clip revealed by the track matte. Be sure the superimposed clip overlaps the background clip in a Timeline panel.

In the Effects panel, click the triangle to expand the Video Effects bin and then click the triangle to expand the Keying bin. Drag the Image Matte Key to the superimposed clip in a Timeline panel. In a Timeline panel, select the superimposed clip. Click the Setup button , browse to the image being used as the matte, and then click Open to select the image. Click the Composite Using menu and choose one of the following:. Matte Alpha.

Composites the clips using the alpha channel values of the image matte you selected in step 7. Matte Luma. Composites the clips using the luminance values of the image matte you selected in step 7. Optional Select the Reverse option to swap the areas that are opaque and transparent. Non Red Key effect. Mask Only. Remove Matte effect. Remove a black or white matte. In a Timeline panel, select the clip containing the matte you want to remove.

Drag the Remove Matte effect to the clip containing the matte. Click the Toggle Animation icon next to the Matte Type setting. Choose either White or Black for the Matte Type setting. Move or change the transparent area with Track Matte Key. You can create mattes in various ways:. Add the background clip to a track in a Timeline panel. Optional If the superimposed clip is a still image, do one of the following:.

Add an opacity key to the superimposed image, Insert the still image into another sequence, and superimpose the sequence containing the still image over the track containing the background clip.

Add the track matte clip to a third track above the tracks with the background and superimposed clips. Drag the Track Matte Key to the superimposed clip. In the Effect Controls panel, click the triangle next to the Track Matte Key name to expand its settings. Click the Matte setting menu with the down-pointing triangle and choose the video track containing the track matte clip.

Click the Toggle Animation icons of the settings you want to adjust. Optional Select the Reverse option to invert the values of the track matte clip.

Perspective effects. Basic 3D effect.

 
 

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